Affichage des articles dont le libellé est Promo UK. Afficher tous les articles
Affichage des articles dont le libellé est Promo UK. Afficher tous les articles
samedi 25 juillet 2026
mardi 14 juillet 2026
Vidéo : Interview de l'équipe de L'Odyssée avec The Today Show
Robert Pattinson, Tom Holland, Lupita Nyong'o, Zendaya, Anne Hathaway, Matt Damon and Christopher Nolan in a new interview for TODAY Show to promote The Odyssey! pic.twitter.com/FHeseI7nZj
— Robert Pattinson Photos | Fansite (@pattinsonphotos) July 10, 2026
Update : ajout d'une interview individuelle de Robert pour Today Show :
Photo : Via
mardi 5 avril 2022
jeudi 10 mars 2022
Nouvelle vidéo de Robert Pattinson durant la promo de The Batman à Londres - Février 2022
La maquilleuse de Zoë Kravitz, Nina Park, a posté une vidéo sur sa page tik tok retraçant la promo de The Batman à Londres !
@ninapark #thebatman #zoekravitz #pov #makeup #artistsoftiktok #foryou #fyp #london #adayinmylife ♬ Dreams (2004 Remaster) - Fleetwood Mac
mercredi 9 mars 2022
Traduction de la conférence de Presse de The Batman à Londres (+ nouvelles photos du cast)
The Upcoming a publié une retranscription de la conférence de presse pour The Batman qui a eu lieu à Londres il y a 15 jours !
Traduction des parties de Robert :
Félicitations à tous pour ce très bon film. Comment vous sentez-vous maintenant que les fans peuvent voir The Batman, ainsi que les personnages emblématiques qu'ils connaissent, représentés à votre manière ?
Zoë Kravitz : C'est effrayant. C'est rare de faire partie d'un film où la sortie du film est aussi intense que sa réalisation. Et c'est excitant. Vous savez, nous avons mis tout notre cœur dans ce film, j'espère vraiment qu'ils l'aimeront.
Ressentez-vous cette peur ?
Robert Pattinson : Oui, je veux dire, c'était un tournage inhabituel. Le fait que ce soit un si long processus : je crois que Matt Reeves était dessus depuis 5 ans, j'ai été attaché au projet durant 3 ans, le tournage a duré 15 mois en gros. C'est très surréaliste, rien qu'en voyant les affiches, je me dis : "Attends, est-ce que ça se produit vraiment ?" Cela commence à avoir l'air un peu plus réel maintenant. Et puis, j'aime beaucoup le film, donc au moins il y a ça.
[...]
lundi 7 mars 2022
Nouvelle photo de Robert Pattinson et Zoë Kravitz durant la promotion de The Batman à Londres
I had the best day! #TheBatman https://t.co/BECwzAdPXf pic.twitter.com/rAVxswPnYC
— Antonia Bonello (@AntoniaBonello) March 5, 2022
mercredi 2 mars 2022
Interviews vidéos de Robert Pattinson durant la promo de The Batman à Londres
On commence avec une interview pour Sky News, mais nul doute que d'autres vont bientôt suivre...
Robert Pattinson has told Sky News he had 'a split personality moment' while playing the Caped Crusader in #TheBatman, adding that it was 'a massive honour' to be a part of it. pic.twitter.com/DQE7Tt3kY7
— Robert Pattinson News (@AboutRPattinson) February 23, 2022
NEW #TheBatman [extended] Interview for SkyNews pic.twitter.com/bZVMUbnKQX
— Robert Pattinson News (@AboutRPattinson) February 23, 2022
jeudi 24 février 2022
samedi 4 septembre 2021
lundi 25 mai 2020
TENET fait la couverture du prochain numéro de Total Film
Visiblement la promo du film commence !!
Le magazine anglais Total Film consacre 14 pages à TENET dans sa prochaine édition, qui sort dans les kiosques le 29 mai prochain !
Christopher Nolan's time-bending action epic @TENETFilm is on the cover of Total Film's new issue! Read our world-exclusive on-set report in the new issue, on sale Friday, 29 May. Here's your first look at the newsstand cover #Tenet pic.twitter.com/t3SgU5g7fR— Total Film (@totalfilm) May 25, 2020
mercredi 13 mai 2020
dimanche 16 février 2020
vendredi 7 février 2020
samedi 1 février 2020
Nouvelle interview (presse + vidéo) de Robert Pattinson avec Sky News
L'interview vidéo :
L'interview écrite : (en anglais)
Robert Pattinson made his name in teen-friendly franchises Harry Potter and Twilight, but his latest Oscar-nominated film - The Lighthouse - is more X-rated.
He tells Sky News: "There was a moment there was a shot where the Lighthouse was literally a phallus. When I saw it I didn't even realise what it was. They cut it out."
He jokes that the member in question possibly belonged to the film's director, Robert Eggers.
The film is about two Victorian lighthouse keepers - Thomas Wake (played by Willem Dafoe) and Ephraim Winslow (played by Pattinson) - who find themselves thrust together on a rocky outcrop off North America in 1890.
Eggers was inspired to make the movie after reading about a real-life tragedy in 1801, where two Welsh lighthouse keepers were left stranded during a storm, resulting in one dying and one going crazy.
While The Lighthouse doesn't retell their tale, Eggers used it as a jumping off point for the film.
Describing it as a study in identity, Eggers joked: "Nothing good can happen when two men are left alone in a giant phallus."
Like his co-star, Pattinson says Eggers was a man he was keen to work with.
"I thought it was very original. I'd been reading a lot of scripts at the time and it just really stood out. I wanted to work with Robert anyway, I really liked him and I love The Witch.
"There was just something so fascinating about it - it was really ambitious, it felt well researched, it just felt like a world when you read it.
"And when you get these characters doing such extreme behaviour, then I just knew it would be really fun to play."
vendredi 31 janvier 2020
Nouvelle interview vidéo de Robert Pattinson pour la promo anglaise de The Lighthouse
Robert Pattinson talks about the impact filming The Lighthouse had on his mental health, and why he tends to veer towards darker roles. The film is out in cinemas on January 31. 2/2 pic.twitter.com/JzOfSjZFCR— sally (@sallyvg) January 27, 2020
Nouvelle interview audio de Robert Pattinson avec BBC Radio 4
[Cliquez sur l'image pour accéder à l'interview]
jeudi 30 janvier 2020
Nouvelle interview (et photos) de Robert Patttinson pour le magazine Time Out
L'interview : (en anglais)
Robert Pattinson is every bit as intense as you might expect. He rests his famously chiselled chin on a clenched fist and considers the question I’ve put to him. ‘How do you make a spectacular wank?’ he muses. ‘A prize-winning wank?’
The London-born actor is telling me about a memorable episode in his latest film, ‘The Lighthouse’. It is, in his own words, a ‘ferocious masturbation scene’. To make matters more bizarre, they shot it on the opening day of filming. ‘It was fun doing it on the first day,’ he admits. ‘It was an icebreaker.’
Was there an element of wanting to impress director Robert Eggers? ‘We’d just done a week of rehearsals where I’d basically hidden everything from him,’ he says. ‘I felt I had to prove myself on the first day, so I went [for] the most extreme and grotesque… grotesquery.’
So how do you conjure up a ‘prize-winning wank’? He looks me in the eye and says in all seriousness: ‘Throw up on yourself.’
He reflects on this for a second. ‘They didn’t use that take in the end,’ he recalls. ‘It was a bit too much.’
Okay, aside from the whole making himself vomit while tossing himself off thing, he’s not that intense. He’s quite a laugh, actually. Which is handy, as we’ve decided to pelt him with petals and shove a load of flowers in his face for our photoshoot. And for the most part, he rolls with it. There’s only one thing he won’t do, which is holding flowers up to his eyes like glasses. ‘That’s where I draw the line,’ he says firmly. ‘It’s a little too Teen Vogue for moi.’
Nouvelle interview de Robert Pattinson, Robert Eggers et Willem Dafoe avec Dazed
L'interview : (En anglais)
Robert Eggers has a saying: nothing good happens when two men are trapped inside a giant phallus. In the director’s new film, The Lighthouse, a testosterone-fuelled duo, played by Robert Pattinson and Willem Dafoe, are stranded on the coast of Maine, in 1890, with only a lighthouse and each other for company. It’s the ultimate “why won’t you fuck already?” movie. In these claustrophobic quarters, the pair fist-fight and bicker non-stop, but do so passionately, with homoerotic tension, hard gazes, and wrestling moves that, if slowed down, could be mistaken for foreplay. As the two sexually frustrated guys stare each other down, the very erect, penis-shaped building behind them starts to resemble a thought bubble.
Of the two men, Thomas Wake (Dafoe) is the older, dominant figure, yet also a bearded, flatulent pastiche who mutters phrases like “yer fond of me lobster, ain’t ye?” and “yer fastly a true blue wickie in the making, you is”. Ephraim Winslow (Pattinson), in contrast, is more unhinged and manic; in the script, the apprentice is described as “like a dog that’s been beaten and caged too many times”. With nowhere to go at night, these two opposing energies clash in drunken arguments that unfold like chess matches: will somebody end up dead by morning? Or is it about attempting to penetrate the other’s personal space?
Eggers first established himself as a genre extraordinaire with his 2015 debut, The Witch, a supernatural folk horror starring Anya Taylor-Joy. But whereas The Witch was feminine, deeply serious and widescreen, The Lighthouse is unbearably masculine, knowingly ridiculous and squeezed into a square-shaped frame. “The Lighthouse wasn’t intended to be a phallic companion piece to The Witch,” Eggers tells Dazed, visiting the UK for the London Film Festival. “But that’s clearly what it is.”
Shot in black and white, in grainy 16mm, with a 1.19:1 aspect ratio, The Lighthouse seems to mimic a lost film from a bygone era, but Eggers insists otherwise. “There are nods to the past that an uneducated cinema viewer will perceive as just ‘an old movie’ in its look. But the way we light it is not from the early sound period.” The 36-year-old director gives a technical explanation about exposure, kerosene lamps, and how he used practical lighting fixtures for each scene. “We’re trying to create our own thing.”
Although A24 heavily pushed Uncut Gems and The Farewell during awards season, their sole Oscar nomination was for Jarin Blaschke’s cinematography on The Lighthouse. Eggers notes, “The Witch was intended to be restrained and subtle, and to not draw too much attention to the camera. But The Lighthouse screams, ‘Look how cool this shot is!’ in a way that’s vulgar and juvenile. The whole movie is over the top.”
That said, The Lighthouse is more than just a technical exercise. There is a pensive, percolating humanity to the two tragic figures and their Beckettian existence – it’s like Waiting for Godot with mermaids and decaying seagulls. Or, rather, it’s like a toxic male version of Céline Sciamma’s Portrait of Lady on Fire. In Sciamma’s period-drama, two women fall in love on a desolate island; Adèle Haenel gazes into Noémie Merlant’s eyes and affectionately details how the latter touches her forehead when lost for words, and how she breathes through her mouth when troubled, and so on.
That same scene unfolds in The Lighthouse but with Winslow specifying, at length, about why he despises his colleague’s physicality, stench (“you smell like jism, like rotten dick, like curdled foreskin”), and everyday behaviour. “And if you hate someone, you can’t stop noticing their farts,” Pattinson adds, giggling in agreement. “I definitely see it as a really strangely toxic love story.”
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