Update : Ajout d'une nouvelle photo :
L'interview (traduction à venir la semaine prochaine...)
When other people were out celebrating the New Year, Robert Pattinson was staring at an empty calendar, thinking, “God. Nothing. My career is over. I need to quit. I need to start finding work in other industries.” Music? Maybe. Japanese toilet spokesperson? Why not? His public love for them has made many converts.
Within months though, Pattinson had landed two huge roles, first in Christopher Nolan’s 2020 globe-trotting action-thriller “Tenet” and then the lead role in Matt Reeves’ “The Batman,” set for 2021. His professional anxieties eased, Pattinson soon found another thing to worry about.
“I immediately thought, ‘Oh God, does that mean I’m going to get a really bad disease?’” Pattinson says, laughing. “I just had a really weird feeling about it. I’m always scared of blowing all my luck, and getting both those jobs, one right after the other ...”
He finishes the thought with an analogy that can’t be printed here but is quite funny and modest and brings to mind Willem Dafoe looking at me recently and saying of Pattinson, with no small amount of exasperation: How do I deal with this charming self-deprecation?
Dafoe’s question was less an inquiry and more of an act of surrender to Pattinson. For the last month, they had been going around together, doing countless Q&As in support of their movie, “The Lighthouse,” Robert Eggers’ claustrophobic chamber piece about a couple of lighthouse keepers trying to keep madness at bay while at a remote island station.
At these events, Dafoe typically drives the conversation, much as his character does in the movie, though without the old-timey sea captain manner of speaking. He’ll talk about craft, preparation, rhythms of language, the sense of discovery that makes acting come alive.
Then Pattinson will puncture the whole thing with an offhand observation about feeling like he’s a lumbering dolt capable of delivering only one emotion at a time, squeezing it out the way a large, flightless bird might produce an egg under the hard duress of labor.
And Dafoe will just throw up his hands because if you’ve seen any of Pattinson’s work, primarily in this recent, remarkable run of indie movies made with the likes of David Cronenberg, Claire Denis, the Safdie brothers and David Michôd, you know that he possesses actual, discernible gifts. On screen, Pattinson can convey self-mockery, vulnerability, intensity and insanity. In “The Lighthouse,” he often veers between these emotions in the same scene.
Pour lire le reste de l'interview en anglais en attendant la traduction, rendez-vous à la Source
Aucun commentaire:
Enregistrer un commentaire